So radiant in certain mornings' light With its roses and its trees Is Earth, or with its grain and olives So suddenly it is radiant on the soul, Which stands then alone and forgetful Though just a moment earlier the soul Wept bloody tears or dwelt in bitterness; So radiant in certain mornings' light Is Earth, and in its silence so expressive This wondrous lump rolling in its skies; Beautiful, tragic in solitude, yet smiling That the soul, unasked, replies, "Yes" replies, "Yes" to the Earth To the indifferent earth, "Yes!" Even though next instant skies Should darken, roses too, Or the effort of life grow heavier still, The act of breathing even more heroic, "Yes" replies the battered soul to Earth, So radiant in the light of certain mornings, Beautiful above all things, and human hope."Yes to the Earth"
Strikingly, no concern was voiced over the glaringly obvious fact that no official reason was ever offered for going to war -- no reason, that is, that could not be instantly refuted by a literate teenager.
Do not be too moral. You may cheat yourself out of much life. Aim above morality. Be not simply good; be good for something.
I should say that when people talk about capitalism it's a bit of a joke. There's no such thing. No country, no business class, has ever been willing to subject itself to the free market, free market discipline. Free markets are for others. Like, the Third World is the Third World because they had free markets rammed down their throat. Meanwhile, the enlightened states, England, the United States, others, resorted to massive state intervention to protect private power, and still do. That's right up to the present. I mean, the Reagan administration for example was the most protectionist in post-war American history.
Virtually the entire dynamic economy in the United States is based crucially on state initiative and intervention: computers, the internet, telecommunication, automation, pharmaceutical, you just name it. Run through it, and you find massive ripoffs of the public, meaning, a system in which under one guise or another the public pays the costs and takes the risks, and profit is privatized. That's very remote from a free market. Free market is like what India had to suffer for a couple hundred years, and most of the rest of the Third World.Talk titled "Sovereignty and World Order" at Kansas State University, September 20, 1999
We gotta come to some new ideas about life folks ok? I'm not being blase about abortion, it might be a real issue, it might not, doesn't matter to me. What matters is that if you believe in the sanctity of life then you believe it for life of all ages. That's what I hate about this child-worship syndrome going on. "Save the children! They're killing children! How many children were at Waco? They're killing children!" What does that mean? They reach a certain age and they're off your fucking love-list? Fuck your children, if that's the way you think then fuck you too. You either love all people of all ages or you shut the fuck up.
A tiger catches a mouse with his whole strength. A tiger does not ignore or slight any small animal. The way he catches a mouse and the way he catches and devours a cow is the same. But usually, although you have many problems, you think they are minor, so you don’t think it is necessary to exert yourself... So even though the problems you have in your everyday life are small, unless you know how to solve them you will have big difficulties."Not Always So"
If we could see the miracle of a single flower clearly, our whole life would change.
I learned that it is the weak who are cruel, and that gentleness is to be expected only from the strong.
The Grand Inquisitor explains that you have to create mysteries because otherwise the common people will be able to understand things. They have to be subordinated so you have to make things look mysterious and complicated. That's the test of the intellectual. It's also good for them: then you're an important person, talking big words which nobody can understand. Sometimes it gets kind of comical, say in post-modern discourse. Especially around Paris, it has become a comic strip, I mean it's all gibberish. But it's very inflated, a lot of television cameras, a lot of posturing. They try to decode it and see what is the actual meaning behind it, things that you could explain to an eight-year old child.
There's nothing there. But these are the ways in which contemporary intellectuals, including those on the Left, create great careers for themselves, power for themselves, marginalize people, intimidate people and so on."Chomsky on Anarchism" (2005)
Of course it's extremely easy to say, the heck with it. I'm just going to adapt myself to the structures of power and authority and do the best I can within them. Sure, you can do that. But that's not acting like a decent person. You can walk down the street and be hungry. You see a kid eating an ice cream cone and you notice there's no cop around and you can take the ice cream cone from him because you're bigger and walk away. You can do that. Probably there are people who do. We call them "pathological". On the other hand, if they do it within existing social structures we call them "normal". But it's just as pathological. It's just the pathology of the general society.
...the point of public relations slogans like "Support Our Troops" is that they don't mean anything [...] that's the whole point of good propaganda. You want to create a slogan that nobody is gonna be against and I suppose everybody will be for, because nobody knows what it means, because it doesn't mean anything. But its crucial value is that it diverts your attention from a question that does mean something, do you support our policy? And that's the one you're not allowed to talk about.
I saw a human pyramid once. It was totally unnecessary.
Everybody's worried about stopping terrorism. Well, there's a really easy way: stop participating in it.
If I hear one more person who comes up to me and complains about "computer music has no soul" then I will go furious, you know. 'Cause of course the computer is just a tool. And if there is no soul in computer music then it's because nobody put it there and that's not the computer's role. It's the role of the songwriter. He puts down his soul in the song if he wants to. A guitar will never write a song and a computer will never write a song. These are just tools.
I should like to preface my remarks on the New Objectivity with the proposition that to supply a production apparatus without trying, within the limits of the possible, to change it, is a highly disputable activity even when the material supplied appears to be of a revolutionary nature. For we are confronted with the fact - of which there has been no shortage of proof in Germany over the last decade - that the bourgeois apparatus of production and publication is capable of assimiliating, indeed of propagating, an astonishing amount of revolutionary themes without ever seriously putting into question its own continued existence or of that of the class which owns it. In any case this remains true so long as it is supplied by hacks, albeit revolutionary hacks. And I define a hack as a man who refuses as a matter of principle to improve the production apparatus and so prise it away from the ruling class for the benefit of Socialism. I further maintain that an appreciable part of so-called left-wing literature had no other social function than that of continually extracting new effects or sensations from this situation for the public's entertainment. Which brings me to the New Objectivity. It launched the fashion for reportage. Let us ask ourselves whose interests were advanced by this technique.
For greater clarity let me concentrate on photographic reportage. Whatever applies to it is transferable to the literary form. Both owe their extraordinary development to publication techniques - radio and the illustrated press. Let us think back to Dadaism. The revolutionary strength of Dadaism lay in testing art for its authenticity. You made still-lifes out of tickets, spools of cotton, cigarette stubs, and mixed them with pictorial elements. You put a frame around the whole thing. And in this way you said to the public: look, your picture frame destroys time; the smallest authentic fragment of everyday life says more than painting. Just as a murderer's bloody fingerprint on a page says more than the words printed on it. Much of this revolutionary attitude passed into photomontage. You need only think of the works of John Heartfield, whose technique made the book jacket into a political instrument. But now let us follow the subsequent development of photography. What do we see? It has become more and more subtle, more and more modern, and the result is that it is now incapable of photographing a tenement or a rubbish heap without transfiguring it. Not to mention a river dam or an electric cable factory: in front of these, photography can now only say, 'How beautiful.' The World is Beautiful - that is the title of the well-known picture book by Renger-Patzsch in which we see New Objectivity photography at its peak. It has succeeded in turning abject poverty itself, by handling it in a modish, technically perfect way, into an object of enjoyment. For it is an economic function of photography to supply the masses, by modish processing, with matter which previously eluded mass consumption.lecture at the Institute for the Study of Fascism in Paris, 27th April 1934
I think we can be reasonably confident that if the American population had the slightest idea of what is being done in their name, they would be utterly appalled.
No man is an Island, entire of itself; every man is a piece of the Continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friends or of thine own were; any man's death diminishes me, because I am involved in Mankind; And therefore never send to know for whom the bell tolls; It tolls for thee.
All truly wise thoughts have been thoughts already thousands of times; but to make them truly ours, we must think them over again honestly, till they take root in our personal experience.
Be one with the dust of the way, Then you can't be controlled by love or by rejection. You can't be controlled by profit or by loss. You can't be controlled by praise or by humiliation.
Every production of an artist should be the expression of an adventure of his soul.