You may be 38 years old, as I happen to be. And one day, some great opportunity stands before you and calls you to stand up for some great principle, some great issue, some great cause. And you refuse to do it because you are afraid... You refuse to do it because you want to live longer... You're afraid that you will lose your job, or you are afraid that you will be criticized or that you will lose your popularity, or you're afraid someone will stab you, or shoot at you or bomb your house; so you refuse to take the stand.
Well, you may go on and live until you are 90, but you're just as dead at 38 as you would be at 90. And the cessation of breathing in your life is but the belated announcement of an earlier death of the spirit.
Preserving things and living beyond a reasonable time is based in fear of dying, a culture perpetuated by people that seem to emotionally not understand that letting go is ok.
Friends are predetermined; friendship takes place between men and women who possess an intellectual and emotional affinity for each other. But comradeship — that ecstatic bliss that comes with belonging to the crowd in wartime — is within our reach. We can all have comrades. The danger of the external threat that comes when we have an enemy does not create friendship; it creates comradeship. And those in wartime are deceived about what they are undergoing. And this is why once the threat is over, once war ends, comrades again become strangers to us. This is why after war we fall into despair.
In friendship there is a deepening of our sense of self. We become, through the friend, more aware of who we are and what we are about; we find ourselves in the eyes of the friend. Friends probe and question and challenge each other to make each of us more complete; with comradeship, the kind that comes to us in patriotic fervor, there is a suppression of self-awareness, self-knowledge, and self-possession. Comrades lose their identities in wartime for the collective rush of a common cause — a common purpose.
In comradeship there are no demands on the self. This is part of its appeal and one of the reasons we miss it and seek to recreate it. Comradeship allows us to escape the demands on the self that is part of friendship. In wartime when we feel threatened, we no longer face death alone but as a group, and this makes death easier to bear. We ennoble self-sacrifice for the other, for the comrade; in short we begin to worship death. And this is what the god of war demands of us.
Think finally of what it means to die for a friend. It is deliberate and painful; there is no ecstasy. For friends, dying is hard and bitter. The dialogue they have and cherish will perhaps never be recreated. Friends do not, the way comrades do, love death and sacrifice. To friends, the prospect of death is frightening. And this is why friendship or, let me say love, is the most potent enemy of war.
After the game, the king and pawn go into the same box.
By meditating on death, we can experience the shock of being alive."Buddhism Without Beliefs"
Arms are instruments of ill omen. When one is compelled to use them, it is best to do so without relish. There is no glory in victory, and to glorify it despite this is to exult in the killing of men. When great numbers of people are killed, one should weep over them with sorrow. When victorious in war, one should observe mourning rites.
Man always dies before he is fully born.
It is hard to have patience with people who say "There is no death" or "Death doesn't matter." There is death. And whatever is matters. And whatever happens has consequences, and it and they are irrevocable and irreversible. You might as well say that birth doesn't matter.
We’re all going to die, all of us, what a circus! That alone should make us love each other but it doesn’t. We are terrorized and flattened by trivialities, we are eaten up by nothing.
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
The concentration camps, by making death itself anonymous (making it impossible to find out whether a prisoner is dead or alive), robbed death of its meaning as the end of a fulfilled life. In a sense they took away the individual’s own death, proving that henceforth nothing belonged to him and he belonged to no one. His death merely set a seal on the fact that he had never existed."The Origins of Totalitarianism"
We have more life than we know what to do with. We have life far beyond the point where it becomes a sick caricature of itself. We prolong life until it becomes a sickness, an abomination, a miserable and pathetic flight from death that saps out and mocks everything that made life desirable in the first place.