One can throw away a chair and destroy a pane of glass; but those are idle talkers and credulous idolaters of words who regard the state as such a thing or as a fetish that one can smash in order to destroy it. The state is a condition, a certain relationship between human beings, a mode of behavior; we destroy it by contracting other relationships, by behaving differently toward one another. One day it will be realized that Socialism is not the invention of anything new, but the discovery of something actually present, of something that has grown.... We are the state, and we shall continue to be the state until we have created the institutions that form a real community and society of men.
Friends are predetermined; friendship takes place between men and women who possess an intellectual and emotional affinity for each other. But comradeship — that ecstatic bliss that comes with belonging to the crowd in wartime — is within our reach. We can all have comrades. The danger of the external threat that comes when we have an enemy does not create friendship; it creates comradeship. And those in wartime are deceived about what they are undergoing. And this is why once the threat is over, once war ends, comrades again become strangers to us. This is why after war we fall into despair.
In friendship there is a deepening of our sense of self. We become, through the friend, more aware of who we are and what we are about; we find ourselves in the eyes of the friend. Friends probe and question and challenge each other to make each of us more complete; with comradeship, the kind that comes to us in patriotic fervor, there is a suppression of self-awareness, self-knowledge, and self-possession. Comrades lose their identities in wartime for the collective rush of a common cause — a common purpose.
In comradeship there are no demands on the self. This is part of its appeal and one of the reasons we miss it and seek to recreate it. Comradeship allows us to escape the demands on the self that is part of friendship. In wartime when we feel threatened, we no longer face death alone but as a group, and this makes death easier to bear. We ennoble self-sacrifice for the other, for the comrade; in short we begin to worship death. And this is what the god of war demands of us.
Think finally of what it means to die for a friend. It is deliberate and painful; there is no ecstasy. For friends, dying is hard and bitter. The dialogue they have and cherish will perhaps never be recreated. Friends do not, the way comrades do, love death and sacrifice. To friends, the prospect of death is frightening. And this is why friendship or, let me say love, is the most potent enemy of war.
The whole concept of alienation found its first expression in Western thought in the Old Testament concept of idolatry. The essence of what the prophets call "idolatry" is not that man worships many gods instead of only one. It is that the idols are the work of man's own hands -- they are things, and man bows down and worships things; worships that which he has created himself. In doing so he transforms himself into a thing. He transfers to the things of his creation the attributes of his own life, and instead of experiencing himself as the creating person, he is in touch with himself only by the worship of the idol. He has become estranged from his own life forces, from the wealth of his own potentialities, and is in touch with himself only in the indirect way of submission to life frozen in the idols. The deadness and emptiness of the idol is expressed in the Old Testament: "Eyes they have and they do not see, ears they have and they do not hear," etc. The more man transfers his own powers to the idols, the poorer he himself becomes, and the more dependent on the idols, so that they permit him to redeem a small part of what was originally his. The idols can be a godlike figure, the state, the church, a person, possessions. Idolatry changes its objects; it is by no means to be found only in those forms in which the idol has a so-called religious meaning. Idolatry is always the worship of something into which man has put his own creative powers, and to which he now submits, instead of experiencing himself in his creative act.
Among the many forms of alienation, the most frequent one is alienation in language. If I express a feeling with a word, let us say, if I say "I love you," the word is meant to be an indication of the reality which exists within myself, the power of my loving. The word "love" is meant to be a symbol of the fact love, but as soon as it is spoken it tends to assume a life of its own, it becomes a reality. I am under the illusion that the saying of the word is the equivalent of the experience, and soon I say the word and feel nothing, except the thought of love which the word expresses. The alienation of language shows the whole complexity of alienation. Language is one of the most precious human achievements; to avoid alienation by not speaking would be foolish -- yet one must be always aware of the danger of the spoken word, that it threatens to substitute itself for the living experience. The same holds true for all other achievements of man; ideas, art, any kind of man-made objects. They are man's creations; they are valuable aids for life, yet each one of them is also a trap, a temptation to confuse life with things, experience with artifacts, feeling with surrender and submission.
Nationalism is our form of incest, is our idolatry, is our insanity. 'Patriotism' is its cult... Just as love for one individual which excludes the love for others is not love, love for one's country which is not part of one's love for humanity is not love, but idolatrous worship.